For a quarter of a century, Scott Siegel has been delighting audiences with his unique presentations on the history of Broadway musicals. The first installment of the 2025 Broadway by the Season series took place on March 28 at Kaufman Music Center's Merkin Hall, featuring a stellar lineup of performers revisiting songs from various eras. This two-act performance not only entertained but also educated the audience about the historical context of the music, enhanced by Siegel’s insightful commentary and Ross Patterson’s masterful piano accompaniment.
The concert delved into two distinct periods: the Great Depression era (1934-35) and the post-WWII years (1946-47). In Act I, Siegel explored how economic hardship affected Broadway, yet highlighted memorable songs from this time, including hits by Cole Porter and George Gershwin. Act II showcased the transformative era following WWII, introducing beloved musicals like Finian’s Rainbow and Annie Get Your Gun. Each act featured exceptional performances that captured the essence of these eras, blending vocal prowess with emotional depth.
The Echoes of Hardship
In the opening act, Siegel painted a vivid picture of the Great Depression's impact on Broadway. Despite financial struggles, creativity flourished, giving rise to unforgettable melodies. Performers brought to life lesser-known shows alongside timeless classics, demonstrating the resilience of both artists and audiences during challenging times. Their interpretations resonated deeply, bridging past and present through music.
This segment focused on the hardships faced by theatergoers and producers alike during the early to mid-1930s. As Siegel explained, the number of productions dwindled significantly due to economic turmoil. However, amidst adversity, new opportunities emerged. For instance, Harlem's Apollo Theater became a beacon for Black culture and talent. Songs performed reflected this duality—some playful, others poignant. Artists such as Ben Jones delivered soulful renditions of pieces like “You and the Night and the Music,” setting a tone of introspection while celebrating survival against all odds. Other selections, including those from Revenge with Music and Life Begins at 8:40, provided glimpses into forgotten stories, reminding listeners of Broadway's rich tapestry even in its darkest hours.
A New Dawn on the Horizon
Act II transitioned seamlessly into the post-war era, marked by societal shifts and technological advancements. Siegel guided the audience through this vibrant period, highlighting iconic musicals that defined the age. Performances ranged from exuberant showstoppers to tender ballads, each capturing the spirit of renewal and optimism characteristic of the late 1940s.
As the narrative shifted toward recovery and growth, so did the energy on stage. Emerging talents joined seasoned veterans in delivering stirring performances. Klea Blackhurst electrified the crowd with her Ethel Merman-inspired delivery of “Blow, Gabriel, Blow” and “I Got the Sun in the Mornin’.” Similarly, Jason Graae’s comedic flair added levity, particularly in his rendition of “You’re The Top.” These moments underscored the versatility required to honor diverse genres within the same program. Moreover, rising stars Neil Devlin and Molly Bremer contributed heartfelt contributions, proving themselves worthy successors to Broadway legends. Together, they created an exhilarating finale with “There’s No Business Like Show Business,” leaving no doubt about the enduring allure of live performance.