A unique concert titled "Music of Boston’s Past, Present, and Future" is set to unfold at the Center for the Arts at the Armory in Somerville on Sunday at 3:00 PM. Featuring works by Chadwick, Dianne Goolkasian Rahbee, and Yvette Janine Jackson, this event offers a fascinating journey through Boston's orchestral heritage. The Orchestra Book Club (OBC), founded by Reuben Stern as a reading orchestra in 2022, aims to highlight underrepresented voices and create engaging narratives around its performances. This concert showcases three distinct eras of music, blending traditional orchestrations with modern electronic compositions.
Stern emphasizes the importance of accessibility and education in his approach to concerts. By offering free admission and interactive discussions, OBC ensures that audiences of all backgrounds can appreciate and understand the music. Additionally, Stern envisions a composer mentorship program to further support emerging talent in the Boston area, fostering innovation and diversity in orchestral music.
Rediscovering Forgotten Masterpieces
This segment highlights how the OBC breathes new life into neglected musical works. The concert features Dianne Goolkasian Rahbee’s Piano Sonata, reimagined through an orchestration by her son David Rahbee, and Chadwick’s Aphrodite, a tone poem rediscovered thanks to a friend's recommendation. Both pieces exemplify the rich yet overlooked history of Boston's classical music scene.
The inclusion of these works reflects the OBC's mission to elevate underrepresented composers. Rahbee’s Piano Sonata, transformed into an orchestral masterpiece, reveals intricate textures and rhythms, showcasing David Rahbee’s skillful use of Klangfarbenmelodie. Meanwhile, Chadwick’s Aphrodite captivates listeners with lush romanticism, highlighting his influence on students like Florence Price. These selections not only entertain but also educate audiences about the depth and variety within Boston’s musical past.
Shaping the Future of Orchestral Music
In addition to celebrating the past, the OBC looks toward the future with innovative programming. Yvette Janine Jackson’s piece, "Hello, tomorrow!", combines orchestral elements with pre-recorded electronics, creating a groundbreaking auditory experience. This work symbolizes the evolving nature of orchestral music in today’s digital age.
Reuben Stern envisions a broader impact beyond concerts. His proposed composer mentorship project seeks to engage local musicians across various age groups and experience levels. Participants will receive constructive feedback, guidance from established composers, and opportunities to workshop their creations during OBC readings. Such initiatives underscore the ensemble’s commitment to nurturing creativity while maintaining accessibility for both performers and audiences. Furthermore, the concert’s setting at the Somerville Armory allows attendees to immerse themselves fully in the sonic landscapes presented, ensuring an unforgettable cultural experience.