In an exciting announcement, Trent Reznor and Atticus Ross have unveiled Future Ruins, a groundbreaking music and arts festival set to honor the brilliance of film and television composers. Featuring an all-star lineup of renowned artists, this inaugural event will take place on November 8 at the Equestrian Center in Los Angeles. The festival aims to provide a unique platform for these creative minds to showcase their talents in an innovative live setting.

A Festival Dedicated to Musical Storytelling

On November 8, the Equestrian Center in Los Angeles will transform into a vibrant hub of creativity with Future Ruins, a festival conceived by Trent Reznor and Atticus Ross. This remarkable gathering brings together some of the most celebrated names in the world of film and television composition. Among the participants are John Carpenter, Mark Mothersbaugh, Claudio Simonetti’s Goblin, and Questlove, who will perform pieces inspired by Curtis Mayfield's work. In addition, the festival will feature performances from Cristóbal Tapia de Veer, Ben Salisbury & Geoff Barrow, Danny Elfman, Hildur Guðnadóttir, Isobel Waller-Bridge, Kyle Dixon & Michael Stein, Robert Aiki Aubrey Lowe, Tamar-Kali, Terence Blanchard, Volker Bertelmann, and a special rendition of Howard Shore’s score for Crash by David Cronenberg.

The festival spans three stages and encourages artists to reimagine their compositions for a live audience, offering attendees an unparalleled experience. According to Reznor, the event is designed without a headliner or hierarchy, focusing instead on presenting a lineup of visionaries creating something truly unique.

Reznor and Ross, known for their extensive work in composing film scores, recently won the Best Original Score at the 2025 Golden Globe Awards for Challengers. Their continued success in this field highlights their dedication to pushing boundaries in musical storytelling.

This festival not only celebrates the artistry of these composers but also invites audiences to explore the emotional depth that music can bring to visual narratives.

From a journalist's perspective, Future Ruins represents more than just a festival; it symbolizes a movement towards recognizing the profound impact of music in film and television. It challenges the traditional norms of live performances by encouraging artists to innovate and experiment. For music enthusiasts and cinephiles alike, this event promises to be a transformative experience, redefining how we perceive the synergy between sound and image.