The eagerly awaited third season of the popular series \"Taxi Driver\" is officially on its way, with lead actor Lee Je-hoon reprising his role as the enigmatic vigilante, Kim Do-gi. This thrilling continuation, a collaboration between Viu and SBS, is slated for a global release in the final quarter of 2025, promising audiences worldwide another dose of intense action and compelling storytelling. Adding an exciting new dimension to the ensemble, Hong Kong's own Edan Lui, a member of the acclaimed boy band Mirror, will make his debut in a Korean drama, joining the cast in what is anticipated to be an unpredictable alliance with the main protagonist. This upcoming season marks a significant expansion for Viu's pan-Asian content strategy, showcasing their dedication to delivering diverse and high-quality productions to a broad international audience.

The Anticipated Return of a Vigilante and a New Pan-Asian Collaboration

In a significant announcement at the recent APOS conference held in Indonesia, the streaming giant Viu, in partnership with SBS, revealed the impending return of the globally acclaimed series \"Taxi Driver\" for its third season. This highly anticipated installment is scheduled to captivate audiences in the fourth quarter of 2025. Esteemed actor Lee Je-hoon is confirmed to once again take the wheel as the compelling and complex vigilante, Kim Do-gi. He will be joined by beloved returning cast members Kim Eui-sung, Pyo Ye-jin, Jang Hyuk-jin, and Bae Yoo-ram, promising fans a continuation of the Rainbow Taxi team's most challenging missions yet. In a noteworthy development for international collaboration, Hong Kong's multifaceted artist Edan Lui, a prominent member of the popular boy band Mirror, will step into the Korean drama landscape with a pivotal role. His character is set to forge an intriguing and unforeseen connection with Kim Do-gi, adding a fresh dynamic to the already gripping narrative. The creative vision behind the series remains intact, with writer Oh Sang-ho and director Kang Bo-seung returning to steer the ship. Park Jeong-hoon, CEO of Studio S, the production arm of SBS Media Group, expressed immense enthusiasm for this continued partnership with Viu, acknowledging their global reach and influence. He underscored the production team's unwavering commitment to crafting a series that not only upholds but elevates the high standards set by its predecessors, ensuring an exceptional viewing experience. This launch is a cornerstone of Viu's ambitious 2025 content agenda, which also includes other exciting productions such as \"My Youth,\" featuring Song Joong-ki, and \"My Girlfriend Is a Man!,\" a romantic comedy derived from a popular webtoon, starring Yoon San-ha and Arin. Furthermore, Viu's expansive slate incorporates diverse content from across Asia, including Chinese productions like \"Immortal Ascension\" and \"Love's Ambition,\" Indonesian offerings such as \"Rintik Terakhir\" and \"Secret High School,\" and Malaysian series like \"Seadanya Kita\" and \"Putri & Phrince.\" Janice Lee, CEO of Viu and Managing Director of PCCW Media Group, emphasized the platform's unwavering dedication to compelling storytelling that resonates with local audiences while captivating global viewers. She highlighted the strategic focus on international collaborations to deliver authentic, regionally inspired narratives with broad cross-border appeal.

This announcement truly excites me, not just as a viewer, but as someone who appreciates the expanding horizons of global entertainment. The return of \"Taxi Driver\" for a third season, particularly with the inclusion of an international talent like Edan Lui, signifies a growing trend towards pan-Asian collaborations in the entertainment industry. It highlights the universal appeal of compelling narratives and the increasing fluidity of content across geographical boundaries. This move by Viu to champion diverse regional stories and bring them to a global stage is commendable. It not only enriches the viewing experience by offering a wider array of cultural perspectives but also creates invaluable opportunities for artists from different backgrounds to connect and innovate. I believe this cross-cultural synergy will lead to even more groundbreaking and resonant productions in the future, fostering a deeper appreciation for the rich tapestry of Asian storytelling.