Montalcino is experiencing a subtle yet profound transformation. A pivotal decision made in late 2024 to reconfigure vineyard quotas is set to significantly expand the output of Rosso di Montalcino. This move opens up promising avenues for a wine traditionally viewed as the region's secondary offering, ushering in a new era for its market presence and perception.
Rosso di Montalcino, often regarded as the younger kin to Brunello, shares a fundamental characteristic: both are crafted exclusively from 100% Sangiovese grapes, with their designated production areas entirely overlapping. While theoretical yield limits for Rosso are slightly higher at 90 hl/ha compared to Brunello's 80 hl/ha, actual production volumes across the region tend to be more uniform and generally lower than these stipulated maximums.
The primary distinction between Brunello and Rosso lies in their maturation processes. Brunello mandates a minimum of four years of aging, including at least two years in wood, before release. In contrast, Rosso can be introduced to the market just one year after its vintage, with no specific requirements regarding the type of aging vessel, allowing for a fresher, more immediate expression of the grape.
In Italy, the volume of wine permitted for production within a specific DOC/DOCG zone is meticulously governed by vineyard registries, which precisely detail the land allocated to each denomination. Until September 2024, Montalcino's registry designated 2,100 hectares for Brunello production, while Rosso di Montalcino was allocated less than a quarter of that area, at 520 hectares. This disproportionate allocation presented an anomaly.
This previous allocation scheme was seen as unusual by industry leaders. Giancomo Bertolomeo, the newly elected president of the producers' consortium, noted that Montalcino's quality hierarchy appeared inverted, with the largest production volume concentrated at the highest tier, and entry-level wines at the bottom. This structure was deemed unconventional and in need of rebalancing.
To rectify this imbalance, the consortium voted last September to substantially increase the area dedicated to Rosso. An additional 352 hectares have been added to Rosso's quota, bringing its total allocated land to 872 hectares. This expansion is designed to create a more harmonious and sustainable production model for the region's wines.
The consortium emphasizes that this increase in Rosso production will not necessitate new vineyard plantings. Instead, it involves a strategic reallocation of existing vineyard rights. This means that vineyards previously registered for other denominations will now become eligible for Rosso production, optimizing the use of current agricultural resources within the region.
This reclassification theoretically allows producers to shift from an IGT production to Rosso, though this is less likely given that IGT vineyards primarily grow international varietals, unsuitable for Rosso. More significantly, it permits vineyards previously dedicated to Brunello to be used for Rosso. This adjustment will dramatically influence the number of bottles produced annually. Historically, Rosso averaged around 3.6 million bottles, compared to Brunello's 9 million. Following the vineyard register's re-opening, anticipated in autumn, Rosso di Montalcino's potential production from the 2024 vintage is projected to more than double, reaching approximately 7.3 million bottles.
Rosso di Montalcino was initially conceived akin to Bordeaux's 'second wines' – a means to maintain the quality of the estate's top wine by bottling younger vines or less ideally situated parcels separately, or by declassifying wines not meeting the criteria for long-term aging. This approach ensured that only the finest lots contributed to the flagship product.
Today, many producers are moving away from this 'deficit' interpretation of Rosso. Elisa Sesti, from the eponymous estate, passionately asserts that Rosso di Montalcino is a vital and authentic expression of the local terroir in its own right, offering a direct and immediate insight into Montalcino's unique character. Similarly, Francesco Bufalini of Scopone views Rosso as possessing its own inherent identity, stemming from specific vineyard sites and meticulous selection processes.
At Castiglion del Bosco, winemaker Cecilia Leoneschi embraces this philosophy, producing three single-vineyard Rossos—a rarity in Montalcino. Each is vinified and aged to accentuate its specific sense of place. This strategy is highly effective for larger estates with vineyards in varied locations. For smaller estates with contiguous vineyard blocks, site selection is less feasible; in such cases, Rosso often results from careful cellar selection. Lucian Ciolffi at San Lorenzo, for instance, harvests his entire estate at low yields, vinifying all fruit together. After a year of aging, he selects specific barrels to be bottled as Rosso, destined for early consumption. Poggi di Sotto, whose Rosso has achieved iconic status and commanding prices, employs a similar method. However, they monitor lots over a longer period, releasing their 'white label' Rosso after two years in 30hl Slavonian oak casks. Rosso constitutes about 40% of Poggi di Sotto's total production, one of the highest proportions among Montalcino estates.
Montalcino stands as one of the world's premier regions for cultivating Sangiovese. However, limiting one's perception of its terroir solely to Brunello, despite its majestic quality, is restrictive. Rosso di Montalcino is equally capable of conveying the defining nuances of the region's soils, elevations, and topography, but in a more approachable and immediate style.
Rosso is crafted to offer immediate freshness and vibrant fruit aromas upon release, embodying the lively energy of young Sangiovese. Yet, it also possesses the capacity to age gracefully for five to six years or more. It is inherently food-friendly, economically accessible, and the promising news is that it is soon to become far more readily available to consumers worldwide.