In a bold step towards enhancing Portland’s cultural landscape, The Hill Arts is set to construct a 400-seat performance venue. This ambitious $18 million project aims to address the city's long-standing need for mid-sized performance spaces. Having already secured half of the required funds and all necessary city approvals, the organization plans to commence construction in October. Founded as St. Lawrence Arts, The Hill Arts has been envisioning this project since the demolition of the historic St. Lawrence Church in 2008. The new facility will feature state-of-the-art lighting, acoustics, and amenities for performers, significantly expanding the nonprofit's reach and impact.
On the site where the St. Lawrence Church once stood, a vibrant new chapter is about to unfold in Portland's arts scene. In the heart of Munjoy Hill, next to the existing Parish Hall Theater, The Hill Arts envisions a contemporary structure designed to accommodate up to 400 guests. This project, spearheaded by Deirdre Nice, founder and executive artistic director, represents years of planning and fundraising efforts. Since its inception, the organization has raised an impressive $9 million, securing crucial support from both private donors and local authorities. With all city approvals in place, including endorsements from the Historic Preservation Board, the groundwork for this transformative endeavor is now firmly laid.
The proposed venue will boast professional-grade systems for lighting and sound, alongside essential facilities like dressing rooms and a green room. These features are expected to attract a diverse range of performances, from classical music concerts to immersive theatrical productions. Emily Isaacson of Classical Uprising praised the design, noting its flexibility and capacity to host workshops and discussions in addition to mainstage events. Moreover, the top floor will offer panoramic views of the city, providing an ideal setting for intimate gatherings and smaller performances.
This development aligns with other recent additions to Portland’s arts infrastructure, such as the renovated auditorium at Stevens Square and the upcoming Crewe Center for the Arts at the University of Southern Maine. While these venues cater to varying audience sizes, The Hill Arts’ new theater fills a critical gap by offering a mid-sized option that many local organizations have lacked.
Despite its modest annual budget of under $400,000, The Hill Arts anticipates a dramatic expansion upon completion of the project. Projected gross revenues could exceed $2 million annually, reflecting the venue's potential to become a cornerstone of Maine's cultural life. To mitigate parking concerns, the organization has committed to subsidizing Greater Portland Metro, advocating for sustainable transportation solutions that benefit the entire community.
From its origins as St. Lawrence Arts to its rebranding as The Hill Arts, this nonprofit has consistently demonstrated resilience and adaptability. Initially conceived as a replica of the demolished church, the project evolved into a forward-thinking design that better serves contemporary needs. Julia Kirby, the development director, highlighted the importance of embracing change and focusing on creating a versatile space capable of accommodating a wide array of artistic expressions.
With an initial $5 million donation and subsequent fundraising successes, The Hill Arts remains optimistic about reaching its financial goals by October. Construction timelines estimate completion within 14 to 16 months, with hopes of welcoming audiences in early 2027. During this period, the Parish Hall Theater will continue operating, ensuring uninterrupted access to performances while the adjacent lot undergoes transformation. Once completed, the new venue could host up to 260 events annually, significantly boosting the region's cultural offerings.
As someone who follows developments in the arts closely, I find The Hill Arts' initiative profoundly inspiring. It underscores the power of perseverance and collaboration in bringing visionary projects to fruition. By addressing a specific need within the community—mid-sized performance spaces—the organization exemplifies how thoughtful planning can enhance cultural accessibility and diversity. Furthermore, their commitment to sustainability through public transit subsidies sets a commendable precedent for future developments.
This project not only promises to enrich Portland's artistic landscape but also fosters connections among artists, patrons, and residents. As we look ahead to the opening of this new venue, it becomes clear that The Hill Arts is more than just building a theater—they're constructing a bridge between tradition and innovation, inviting everyone to join them on this exciting journey.