For the second consecutive summer, Living Music Underground returns to Lincoln Center's Summer for the City lineup. This innovative series showcases avant-garde and post-genre sounds that have transitioned from underground scenes to prominent cultural hubs. Curated by Nadia Sirota, this nine-week event features free Thursday evening concerts at The Underground at Jaffe Drive, offering a diverse range of performances that redefine contemporary music landscapes.

Experience the Evolution of Sound: Where Tradition Meets Innovation

Curating Accessible Artistry

Nadia Sirota's journey into curation began over a decade ago when she hosted WNYC radio programs. Her role as a violist, conductor, and educator has honed her ability to connect audiences with groundbreaking musical experiences. Sirota emphasizes creating an inclusive atmosphere where listeners can explore complex compositions without prior knowledge. By demystifying classical techniques through interviews and intimate settings, she ensures every attendee leaves with a deeper appreciation for modern artistry.Her approach contrasts sharply with traditional gatekeeping attitudes prevalent in classical circles. Instead of alienating newcomers, Sirota fosters curiosity by presenting artists who blend multiple genres seamlessly. For instance, GRAMMY-nominated Nathalie Joachim uses sampling to delve into themes of generational trauma and ancestral ties, while Eliza Bagg combines classical vocals with electronic improvisations, showcasing how musicians naturally transcend categorization.

A Symphony of Diversity

The Living Music Underground series spans various eras and styles, catering to all tastes. On July 3, Ruckus and Keir GoGwilt pay homage to Niel Gow, a Scottish baroque musician, integrating folk traditions with contemporary expressions. This collaboration extends beyond the main stage, aligning with AMOC’s “Run AMOC* Festival,” which highlights works by Julius Eastman and George Lewis among others. Such cross-programming amplifies exposure for underrepresented voices within classical spheres.In contrast, Jeremiah Chiu and Marta Sofia Honer employ modular synthesizers and violas to craft futuristic soundscapes on July 24. Their performance exemplifies how technology enriches acoustic instruments, pushing boundaries further. Similarly, CJ Camerieri, known for his work with Paul Simon and yMusic, brings brass improvisation to life on July 10, proving versatility across different ensembles.

Empowering Solo Creativity

Several collaborators seize the opportunity to present solo projects during this series. PUBLIQuartet, described as "genrefluid," performs on June 19, highlighting their adaptability in blending distinct musical elements. Clarice Jensen follows on July 17, immersing audiences in electroacoustic cello compositions. Riley Mulherkar closes out July with innovative jazz trumpet pieces, demonstrating how traditional instruments evolve in today's digital age.These individual presentations underscore the importance of granting artists creative freedom. Sirota believes such autonomy allows performers to express themselves authentically, leading to more profound artistic growth. Concluding the series on August 7, Kelly Moran delivers piano-driven performances merging minimalism, electronic dance music, and metallic undertones, encapsulating the essence of experimental fusion.

Institutional Support for Artistic Risk-Taking

Lincoln Center plays a pivotal role in nurturing experimental talent by providing accessible platforms. Free admission options include general first-come, first-served seating or “Fast-Track” reservations available Mondays preceding each concert. Such initiatives reflect a commitment to democratizing access to high-caliber performances.Sirota champions the necessity of large institutions supporting risk-taking endeavors. She argues that respecting audience intelligence by introducing novel concepts strengthens community engagement. In an era dominated by commercial interests and limited funding, prioritizing creativity becomes paramount. Major establishments like Lincoln Center must continue allocating resources toward unconventional programming, ensuring diverse artistic voices thrive.