Recently turning 21, Finn Reilly celebrated by attending a drag show at Why Kiki, marking a milestone in his social life. Previously excluded from venues due to Utah’s strict liquor laws, Reilly now enjoys access to events previously unavailable to him. This article explores how these regulations affect young music enthusiasts, their reliance on fake IDs, and potential changes to accommodate diverse audiences. Perspectives from venue managers highlight the challenges of balancing state laws with fostering an inclusive environment for all age groups.
Reilly, who reached the legal drinking age on April 3, appreciates Utah's stringent alcohol policies that allow him to remain sober while enjoying nightlife. His experience contrasts with others who feel shut out from cultural experiences due to age restrictions. Kylie Fitch, marketing director of The State Room Presents, acknowledges the frustration among younger fans but emphasizes compliance with existing rules. Some underage attendees resort to counterfeit identification to attend concerts featuring artists they admire.
In Salt Lake City, venues like Kilby Court stand out as rare spaces accommodating mixed-age crowds. Moriah Glazier, an event coordinator for S&S Presents, explains efforts to align artist bookings with appropriate venues, though logistical constraints sometimes hinder these plans. Lance Saunders, owner of S&S Presents, notes the delicate balance between adhering to liquor laws and ensuring accessibility for all patrons.
Historically, Utah's Department of Alcoholic Beverage Services has maintained control over alcohol distribution since its establishment in 1935. While this approach aims to prevent excessive consumption, it also limits opportunities for younger audiences to engage with live performances. Both seasoned professionals and emerging voices advocate for reforms that could enhance economic growth while preserving responsible drinking practices.
Looking ahead, innovative solutions such as designated wristbands or separate bar areas within venues might offer viable compromises. Sommerfeld suggests modernizing current strategies to address both safety concerns and inclusivity goals. For Reilly, finding welcoming spaces remains crucial, underscoring the significance of venues like Kilby Court in nurturing community connections through shared musical experiences.
Beyond mere entertainment, these discussions reflect broader societal shifts towards more flexible regulatory frameworks. As cities evolve, striking a balance between tradition and progress becomes essential. By reimagining how venues operate, Utah could create environments where every fan feels valued, regardless of age or preference.