Composer Theodore "Teddy" Shapiro discussed the development of the musical score for the Apple TV+ series 'Severance' during a conversation at Deadline’s Sound & Screen Television awards-season event. Initially, Shapiro envisioned distinct musical worlds for the characters inside and outside the facility. Collaborating closely with producer Ben Stiller, he crafted a main theme based on four chords that evoke a sense of tranquility. Influenced by 1970s cinema, Shapiro aimed to maintain the established tone while introducing fresh variations for the second season.

In Season 2, the music evolved harmonically with new chord sequences branching from the original theme. Shapiro worked alongside sound designer Chris Lane, emphasizing the piano as the core instrument. They innovatively created percussive sounds by manipulating the piano, expanding its sonic possibilities. Despite having not started on the music for Season 3, Shapiro remains open to where the evolving storyline will lead his creative process.

Creating Musical Worlds for 'Severance'

Shapiro's initial approach involved distinguishing between two contrasting musical realms—one for the internal world and another for the external one. This concept resonated deeply with Stiller, who guided Shapiro toward a peaceful melody rooted in four simple chords. Their collaboration resulted in the creation of the main title theme, which became an integral part of the show's identity. The influence of 1970s cinema played a crucial role in shaping the overall aesthetic of the score.

During the pre-production phase of Season 1, Shapiro observed Stiller's preference for a specific section of harmony, leading to the development of the central theme. Stiller's intuitive understanding of music allowed Shapiro to refine his ideas further. Sitting at the piano, Shapiro experimented with various combinations until he discovered the perfect sequence of notes that would define the emotional landscape of the series. By blending cinematic influences with modern techniques, they succeeded in crafting a unique auditory experience that complemented the narrative perfectly.

Expanding the Musical Palette in Season 2

For the second season, Shapiro sought to preserve the essence of the original score while exploring innovative approaches. Harmonically, he introduced novel chord progressions that built upon the foundation laid in the first season. Working hand-in-hand with sound designer Chris Lane, Shapiro pushed the boundaries of traditional instrumentation, particularly focusing on the versatility of the piano. Together, they devised inventive methods to generate unconventional sounds, enhancing the show's auditory depth.

This collaborative effort led to the discovery of new ways to utilize the piano, such as creating percussive effects through physical interaction with the instrument. These techniques yielded rich textures that enriched the musical tapestry of 'Severance.' Additionally, Shapiro composed "The Ballad of Ambrose & Gunnel," adding another layer to the series' mythological framework. As Shapiro anticipates the challenges of composing for Season 3, he remains eager to adapt his music to the unfolding storylines, ensuring continuity while embracing change.