The IN Series has unveiled its highly anticipated 2025/26 season, titled "IN Principio," focusing exclusively on the premiere of musical and theatrical works. This season is a celebration of new beginnings and innovative ideas. Artistic Director Timothy Nelson emphasizes the optimistic nature of creating art, which transforms the world. The season features seven premieres, including operas, immersive musical journeys, and powerful festivals that explore suffering and transcendence. Notable productions include the world premiere staging of "St John the Baptist," an opera never staged before, and "Delta King’s Blues," marking IN Series' first fully commissioned opera. Other highlights involve international collaborations, explorations of incarceration themes, and transcultural musical lenses.
In the vibrant cultural landscape of Washington DC and Baltimore, the IN Series is set to launch its groundbreaking 2025/26 season, "IN Principio." This season is dedicated to showcasing originality and fresh starts through seven unique premieres. Among these is the long-awaited theatrical debut of "St John the Baptist" in October, performed in English by local singers at venues like 340 Maple Dr SW and the Baltimore Theater Project. Another standout is "Delta King’s Blues," an immersive opera exploring the life of blues legend Robert Johnson, created by Jarrod Lee and composer Damien Geter.
Further enriching the season is the "Passion Plays" festival in March, featuring three original works inspired by spiritual transformation. These include "Only the Air," blending Bach's St. Matthew Passion with contemporary poetry; "Passio," an international collaboration interpreting suffering through a feminine lens; and "For Women Serving Time," meditating on female incarceration through music and theater. Additionally, "The Song of Śākuntalā" in June reimagines an ancient Indian play using both Western and Carnatic musical traditions. The season also includes a virtual platform, INvision, expanding access to audiences worldwide.
From a journalist's perspective, this season represents more than just artistic innovation—it signifies a shift towards inclusivity and accessibility in opera. By commissioning new works from diverse creators and utilizing digital platforms, IN Series not only preserves tradition but also evolves it for modern audiences. Their commitment to nurturing emerging BIPOC artists through programs like the Cardwell-Dawson Artist Fellowship ensures that future generations will continue shaping the opera landscape. As we witness these performances, we are reminded of the transformative power of art to connect communities across boundaries.