In the heart of Portland, Coty Raven Morris has emerged as a transformative figure in music education, blending choral performance with social justice. A professor at Portland State University, Morris's innovative approach to teaching and community engagement is reshaping how people perceive singing. Through her workshops and community sings, she brings together diverse groups, transcending cultural and societal barriers. Her philosophy centers on using music not merely as an art form but as a tool for fostering understanding and equity. This vision has inspired many, including Apollo Fernweh, who redirected his career path after hearing Morris speak. Ethan Sperry, head of the choral program at Portland State, emphasizes the profound impact Morris has had on both students and the broader community, noting that choir members exhibit higher graduation rates and deeper empathy.

Morris's journey began in New Orleans, where music was inseparable from everyday life. "Everything was sung," she recalls, describing how songs and play became vehicles for learning history and culture. As she matured, this holistic view persisted, influencing her studies in choral conducting and music theory. Dissatisfied with traditional equity workshops, which she found disengaged and guilt-driven, Morris developed her own method. By facilitating open conversations about identity and background, she encourages participants to connect deeply before addressing broader societal issues. This approach aligns with her belief that singing together can dismantle insecurities and build genuine rapport.

In her role at Portland State University, Morris organizes regular community sings, inviting choruses and the public to participate. These events attract individuals ranging from seasoned performers to those convinced they cannot sing. Morris challenges such self-doubt, asserting that everyone possesses a healing voice. One memorable event took place at a downtown church, drawing hundreds of attendees. Among them was Fernweh, leading the Blueprint Ensemble Arts Youth Choir. It marked his first time conducting such a large group, successfully guiding them through a harmonious performance. Sperry highlights the importance of these gatherings in preparing students to leverage choirs for community-building in underserved areas.

Rich Hanson, a retired biology teacher, exemplifies the diverse audience drawn to these events. Once torn between science and music, Hanson now cherishes the opportunity to sing alongside his granddaughter in the youth choir. He marvels at the eclectic mix of participants, observing a vibrant tapestry of humanity united by song. Toward the concert's conclusion, a multigenerational ensemble performed "We Are One." Featuring college students, international families, and even a woman with mobility aids, the performance embodied Morris's mission—bridging differences through shared melodies.

Beyond mere entertainment, these musical experiences foster profound connections. By weaving together voices from various walks of life, Morris creates spaces where laughter, tears, and harmony converge, reinforcing the message that "we are one." Her work continues to inspire and transform communities, proving that music can be a powerful force for unity and change.