The illustrious career of composer Nils Vigeland has been deeply intertwined with the piano, an instrument he has explored and celebrated throughout his musical endeavors. Having retired in 2013 as Chair of the Composition Department at Manhattan School of Music after three decades of teaching, Vigeland’s latest release on New Focus Recordings showcases a remarkable compilation of his piano compositions spanning nearly three decades. This collection, titled "Perfect Happiness," not only reflects his influences from composers like Debussy, Ives, Schönberg, and Stravinsky but also highlights his unique approach to the piano's acoustic properties.

Throughout his career, Vigeland has recognized the piano's pivotal role in transforming harmonic and non-harmonic tones during the early 20th century. His keen understanding of the instrument's natural decay and pedal effects is evident in his compositions. The album features a variety of works performed by pianist Jing Yang, whose interpretations bring Vigeland's sound worlds vividly to life. From the expansive Piano Sonata to a set of nine waltzes and one ecossaise, each piece demonstrates Vigeland's mastery over the piano's capabilities and his ability to evoke distinct emotions and atmospheres.

Vigeland's Piano Sonata, developed over 29 years, exemplifies his compositional evolution. The first movement, crafted in 1979, introduces a four-note sequence within the major-key scale, evolving through chromatic passages and non-diatonic combinations. Despite its complexities, the music remains accessible and engaging, offering moments of humor and suggestion. The sostenuto pedal plays a crucial role in shaping the piece's character, adding layers of depth and joyfulness. The subsequent movements, added in 2008, further enrich the sonata with contrasting moods and intricate rhythms.

The album also includes a series of short dance pieces inspired by Schubert's collections. These waltzes and an ecossaise, each bearing unique titles such as "Appassionata" and "Inutile," reflect a playful yet meticulously crafted style. Their brevity belies their complexity, with every note contributing to their artistic integrity. Among these works, "Mnemosyne" stands out as a tribute to Yvar Mikhashoff, blending contemplative and active elements with French and jazz influences.

Closing the album, "Perfect Happiness" consists of four movements that traverse a spectrum of emotions. The final movement, characterized by a striking series of chords and tone clusters, alternates between harmony and dissonance in irregular rhythms. The sustain pedal's reintroduction creates a serene resolution, encapsulating Vigeland's philosophy on the art of transition.

Jing Yang's exceptional musicianship elevates every moment of this album, bringing Vigeland's compositions to life with sensitivity and precision. Her collaboration with the composer underscores the vitality and intrigue of his music, ensuring it resonates with audiences today. Through "Perfect Happiness," Vigeland continues to inspire and challenge listeners, proving the enduring relevance of his work in contemporary classical music.