The resurgence of hyper-feminine ideals in social media algorithms raises questions about conformity and its implications. According to New York-based creative Elysia Berman, this return to traditional beauty norms mirrors a broader reversion to established value systems. This phenomenon is not new; fashion and beauty trends have long been indicators of societal attitudes. For instance, during economic downturns, there tends to be a rise in beauty manuals or tutorials promoting conventional looks, which often align with conservative ideologies.
Beauty historian Laura Fitzachary highlights that such patterns are evident throughout history. In times of struggle, individuals lean toward practices like tattoo removal, filler dissolution, and general conformity. These actions signify a desire to adhere to accepted norms, reflecting a collective shift towards more traditional lifestyles.
The connection between appearance and morality dates back centuries, originating from Ancient Greece’s concept of Kalokagathia, which Aristotle explored. This integration of ethics and aesthetics has persisted over time, influencing narratives in literature and media. Protagonists are typically portrayed as slim, clear-skinned, predominantly white, and symmetrical, while antagonists are marked by larger bodies, blemishes, non-white skin tones, and asymmetrical features. This dichotomy draws parallels to fascist ideologies, emphasizing the wellness industry's potential role in perpetuating similar themes.
British journalist James Bell coined the term ‘wellness-to-fascism pipeline’ to describe this link. The association between aesthetic choices and political beliefs becomes even clearer when examining Fox News anchors. Their ultra-feminine personas, characterized by girlish blonde hair, slim silhouettes, and youthful appearances, symbolize a political stance that rejects modernity and feminism. Hadley Freeman aptly noted in a 2017 Guardian article that this uniform style serves as a defiant embrace of conservative femininity.
Dr Denis O’Hora, director of the MSc in Consumer Psychology at the University of Galway, explains that people gravitate towards conformity during traumatic periods. Radical experimentation is less appealing when uncertainty looms large. Instead, individuals seek comfort in familiar appearances and styles. This tendency is amplified in authoritarian environments where deviation from norms can result in negative consequences.
In Arab cultures, women's public fashion is heavily regulated, illustrating how dominant political forces influence personal presentation. While data linking fashion and politics remains limited, it is evident that impression formation plays a crucial role. People adjust their attire to align with others, leading to increased conservatism in dress codes. This phenomenon underscores the significance of self-presentation as a means of demonstrating allegiance to specific groups or ideologies.
Susan Sontag’s notion of solving a "crisis of imagination" through beauty resonates deeply within industries capitalizing on fears of aging and diminishing attractiveness. Naomi Wolf’s seminal work, The Beauty Myth, further elucidates how beauty functions as a mechanism preserving male dominance. As women achieve greater rights, beauty standards become stricter, compelling them to conform to ever-evolving expectations.
This dynamic manifests in recent trends favoring subdued appearances—low buns, minimal makeup, and soft hairstyles. Such preferences signal a retreat from bold expressions towards quieter, more demure aesthetics. Danielle L Vermeer points out that fashion transcends mere clothing choices; it encapsulates political statements and cultural identities. Consequently, lower-class women grappling with economic challenges may turn inward, using fashion as a tool for asserting control amidst external uncertainties.
As discussions around beauty evolve, focusing on resistance rather than submission, there is hope for renewed individualism. Recent Fashion Week events highlighted tensions between avant-garde innovation and traditional femininity. This push-and-pull dynamic suggests an impending reaction against homogenized standards. Laura Fitzachary expresses optimism, anticipating a resurgence of unique self-expression that challenges prevailing norms.
In conclusion, the relationship between beauty trends and political ideologies remains complex yet undeniable. Understanding these connections provides valuable insights into societal transformations and offers opportunities for fostering inclusivity and diversity in both realms.