In the upcoming weekend of April 3-5, Boston Symphony Orchestra (BSO) subscribers are set to experience a unique musical journey under guest conductor Dima Slobodeniouk. The program includes Adolphus Hailstork’s poignant Lachrymosa: 1919, Stravinsky’s dynamic Symphony in Three Movements, and Elgar’s Violin Concerto performed by Frank Peter Zimmermann. This event coincides with Hailstork's Symphony No. 4, "Still Holding On," being played by the Vista Philharmonic in Groton. In an engaging conversation with Hailstork, we explore his inspirations, influences, and reflections on historical events that have shaped his compositions.

Hailstork’s Lachrymosa: 1919 resonates deeply with the tragic events of the Red Summer uprising, where white mobs targeted African American migrants seeking better opportunities in the North. The work was chosen partly due to its relevance to the anniversary of Martin Luther King Jr.'s assassination. Despite the horrific nature of these events, Hailstork's music conveys a tone of resignation rather than anger. He explains that this reaction stems from learning about these incidents only when composing the piece some 30 years ago, leading to a sense of profound sadness rather than outrage.

Growing up in a tolerant environment in upstate New York, Hailstork did not encounter segregation or personal racism. His choral composition, Mourn Not the Dead, earned him the prestigious Ernest Bloch prize in 1971. Interestingly, while his music is often compared to Bloch’s emotionally direct style, Hailstork never studied under him but rather entered a contest and succeeded. Nadia Boulanger, however, significantly influenced him by emphasizing careful listening and the nuances of musical coloration.

Most of Hailstork’s works carry a narrative or background story, reflecting his roots as a choir singer. Although prolific, he has recently stepped back from commissions, finding the process exhausting. Currently, he focuses on writing for friends, enjoying a more personal and creative freedom. Despite this shift, Hailstork remains optimistic about the future, mentioning upcoming recordings by the Mannes School Orchestra of his symphonic nocturne, Ndemara.

While addressing current societal issues through his music, Hailstork advocates for unity and self-reflection within America. Audiences at both the BSO and Vista performances are sure to appreciate the emotional depth and accessibility of his compositions. Through his music, Hailstork continues to inspire and connect with listeners worldwide.