This Sunday, the First Lutheran Church in Boston becomes a sanctuary for musical exploration as renowned organist Jonathan Dimmock presents an all-Bach recital. Performing on the celebrated "Boston’s Bach organ," crafted by Richards, Fowkes & Co., Dimmock embarks on a program that not only celebrates Johann Sebastian Bach's compositional genius but also underscores his personal connection to the composer. With performances spanning six continents and collaborations with prestigious organizations like the San Francisco Symphony, Dimmock continues to shape the landscape of classical music while championing its role in global diplomacy.
Dimmock's dedication to Bach is evident in his choice of repertoire for this recital. Featuring selections from Clavierübung III, the program highlights Bach's mastery across various musical forms. From the serene simplicity of the opening Kyrie to the intricate polyphony of "Aus tiefer Not schrei ich zu dir," each piece reveals a facet of Bach's artistry. The centerpiece, a triple fugue, is widely regarded as one of the most sophisticated compositions ever written. Dimmock shares that performing these works is not merely a technical exercise but a spiritual endeavor aimed at fostering peace and understanding through music.
Dimmock's journey into the world of organ music began at an early age, inspired by the grandeur of the instrument he first encountered in his family's church. Under the mentorship of Hedley Yost, young Dimmock was captivated by the possibilities of the organ, leading him to pursue formal training at Oberlin and later the Yale School of Music. His education extended beyond American shores, where he immersed himself in European traditions, studying choral practices in England and organ techniques in Germany. These experiences deepened his appreciation for the historical and spiritual dimensions of music, shaping his unique approach to performance.
In addition to his concert career, Dimmock has established himself as a leader in the field, founding several nonprofit organizations dedicated to promoting early music and fostering international harmony. Among these initiatives is The Resonance Project, which leverages the power of live music to facilitate conflict resolution. Drawing on insights from neuroscience, the project demonstrates how listening to music can release oxytocin, a neurochemical associated with trust and bonding. By integrating carefully curated musical performances into diplomatic negotiations, The Resonance Project aims to create environments conducive to productive dialogue and cooperation.
Following his Boston appearance, Dimmock will continue his tour with a recital at St. Joseph Parish in Maryland, featuring works by Handel and Albinoni alongside additional selections from Bach. Later engagements include appearances in San Francisco and San Diego before culminating in a European leg showcasing historic organs in Sweden and Denmark. Each stop on his itinerary serves as both a celebration of musical heritage and a testament to its enduring relevance in contemporary society.
Through his artistry and advocacy, Jonathan Dimmock exemplifies the transformative potential of music. His commitment to preserving and sharing the legacy of composers like Bach extends far beyond the concert hall, inspiring audiences worldwide to embrace the universal language of sound as a force for unity and reconciliation.