In the face of economic challenges and shifting industry dynamics, Central Saint Martins (CSM) continues to nurture a new generation of designers who are reimagining fashion. Despite several renowned alumni opting for lookbooks over traditional runway shows, CSM's graduating master’s students are pushing boundaries with innovative designs that challenge societal norms. These emerging talents are not only focusing on creating visually striking collections but also advocating for a more thoughtful approach to fashion. Themes ranging from hyper-realism in the age of AI to the resurgence of conservatism highlight the diverse perspectives shaping London's fashion landscape. This article delves into the design philosophies and aspirations of five standout graduates from CSM’s MA class of 2025.
The first group of designers is redefining menswear by challenging traditional masculine archetypes. They aim to create garments that feel authentic yet playful, encouraging emotional fluency and individuality. Through their collection, they transform familiar items like polo shirts and trousers into extraordinary pieces using unconventional colors and experimental fabrics. The result is a blend of reality and illusion, inviting viewers to question what they see. By embracing hyper-normativity and pushing fabrication to new extremes, these designers bridge the gap between digital and physical realms, transforming virtual concepts into tangible designs.
One designer, whose work was showcased in a subterranean catwalk at 180 The Strand, created a speculative greasy spoon setting to explore the pressures young men face in conforming to rigid norms. The collection features oversized silhouettes and upcycled materials, proposing a more inclusive and emotionally expressive version of masculinity. The "wedgie" trousers and duffle bag shaped like a loaf of bread serve as humorous critiques of traditional expectations. Another duo focused on creating clothes that have a place in someone’s wardrobe, blending fun and depth in their designs. Their goal is to make real, wearable clothing that encourages self-expression and challenges societal norms.
The second group of designers explores themes of memory, identity, and sustainability. One collection, titled Recollection//404, investigates the fragility of memory in an age dominated by technological interference. Inspired by the rise of conservatism and nostalgia, the designer uses glitches and lenticular pleating to disrupt the rigidity of traditional garments. This creates a woman who challenges passive stereotypes tied to conservative dress. Another collection, Nightwalk, evokes the mysterious atmosphere of walking through a neighborhood at night. By twisting wardrobe staples like suits and hoodies towards the dark, the designer presents an alternative to the loud and bold femme fatale archetype.
Sustainability is a key focus for another designer, who draws inspiration from the everyday wardrobes of Joan Didion and Georgia O’Keeffe. Using recycled pre- and post-consumer garments, this collection emphasizes simplicity, essentialism, and effortless style. The designer aims to create timeless pieces that balance comfort and practicality, using high-quality natural fibers like viscose and silk jerseys. Finally, one designer explores the juxtaposition of constriction and looseness, inspired by Vaslav Nijinsky’s ballet Afternoon of a Faun. Hand-stitching techniques create the illusion of floating seams, embodying a sense of calm and seductiveness. Together, these designers showcase the diversity and innovation thriving within Central Saint Martins, proving that London remains a hub for cutting-edge fashion.