Growing up surrounded by music, Kimberly Kang found herself naturally drawn to the world of sound. Her academic path began with a casual interest that blossomed into a lifelong commitment after meeting Arthur Haas at the Amherst Early Music Festival. Under his mentorship, Kang embarked on a rigorous journey to master the harpsichord, an instrument steeped in history yet demanding modern interpretation. The delicate nuances of this ancient keyboard require precision and sensitivity, qualities Kang cultivated under Haas’ guidance.
Haas recalls their first encounter vividly: “Kimberly arrived brimming with enthusiasm, eager to learn but still discovering the intricacies of style.” His encouragement led her to delve deeper into the art form, ultimately pursuing advanced studies at Stony Brook University. This pivotal moment set the stage for Kang’s transformation from an aspiring musician into a dedicated professional capable of bridging centuries of musical tradition.
Unlike its more familiar counterpart, the piano, the harpsichord operates on a principle of plucking rather than striking strings. Each note resonates uniquely due to its single-string mechanism, creating a softer, more intimate tone. For Kang, understanding these distinctions became crucial in mastering expression without relying on volume changes. As she explains, “The challenge lies in conveying emotion through technique alone, which demands exceptional finger dexterity and control.”
This technical mastery extends beyond mere performance; it shapes how Kang approaches compositions like unmeasured preludes, rare gems from 17th- and 18th-century France. These pieces offer invaluable lessons in improvisation, essential skills for any musician seeking authenticity in historical performances. By studying such works, Kang contributes not only to preserving heritage but also enriching contemporary practice.
As Kang advances through her DMA program, her daily routine evolves dynamically depending on external commitments. Previously consumed by coursework ranging from language studies to performance practices, she now prioritizes outreach efforts aimed at introducing diverse audiences to lesser-known repertoires. Initiatives include collaborating with local churches and proposing innovative concert programs designed to engage new listeners.
Beyond academics, Kang maintains private teaching engagements while performing regularly in New York City venues. Such experiences reinforce her belief in music’s transformative power, emphasizing its role in fostering community connections. Despite challenges posed by burnout, she remains steadfast, drawing inspiration from both personal projects and rewarding gigs that sustain her passion.
Professor Arthur Haas offers sage counsel for those contemplating serious study of early music instruments: “Success demands unwavering dedication coupled with adaptability. Transitioning between pianistic habits and harpsichord techniques requires humility, patience, and resilience.” He underscores the importance of embracing simplicity during initial stages, allowing artists to build foundational skills necessary for complex interpretations later.
Kang echoes similar sentiments when advising younger musicians: “Explore opportunities outside formal education before committing fully to graduate programs. Enjoy each phase of learning rather than rushing toward perceived milestones.” Both mentors stress balancing ambition with realistic expectations, ensuring students remain inspired throughout their journeys.
Looking ahead, Kang envisions a career combining performance and pedagogy, potentially returning to her roots in Southern California to establish a collaborative ensemble. While leaving legacies may not be her primary focus, she believes deeply in making meaningful impacts today. Her philosophy centers around using music to unite people across cultures and generations, celebrating shared humanity through artistic expression.
Ultimately, Kang’s trajectory exemplifies what can be achieved through sustained effort and genuine love for one’s craft. Whether inspiring future generations or revitalizing forgotten traditions, her work continues to illuminate pathways for others entering the realm of classical music.