Warner Bros Discovery (WBD) reported a total revenue of $8.98 billion in the first quarter, marking a 9% decrease compared to the previous year when excluding foreign exchange impacts. Despite falling short of analyst expectations, the company experienced robust growth in its streaming segment, gaining 5.3 million new subscribers and reaching a total subscriber base of 122.3 million. Distribution and advertising revenues saw declines due to domestic linear pay-TV and audience losses, respectively. Content revenues also dropped significantly, primarily because of weaker box office and home entertainment performances compared to last year's releases. However, WBD remains optimistic about its long-term shareholder value creation through content excellence and global distribution.
The media giant highlighted successes in its streaming service Max, emphasizing quality storytelling that resonates globally. Shows like "The White Lotus" and "The Pitt" have garnered significant viewership and critical acclaim, contributing to the platform's differentiation in a competitive market. Financially, the streaming segment added over five million subscribers in Q1, generating substantial Adjusted EBITDA. Looking ahead, WBD aims to surpass 150 million subscribers by the end of 2026, supported by strong content pipelines including film releases such as "Superman" and exclusive availability on Max. The company is also focused on optimizing its linear networks' performance amidst challenging market conditions.
Warner Bros Discovery's streaming service, Max, has established itself as a premier destination for high-quality programming. Through compelling narratives and diverse offerings, Max continues to attract and engage audiences worldwide. Series such as "The White Lotus" and "The Pitt" exemplify the platform's commitment to delivering content that captivates and resonates with viewers, setting it apart in an increasingly crowded streaming landscape.
Max's success can be attributed to its dedication to curating premium storytelling experiences that go beyond mere viewing. "The White Lotus," with its third season averaging over 25 million global viewers per episode, has become a cultural phenomenon discussed extensively across social media platforms. Similarly, "The Pitt," an innovative medical drama, has resonated deeply with both audiences and critics, achieving impressive week-over-week viewership growth in its debut season. This success underscores Max's strategy of blending universally appealing stories with locally relevant content, ensuring sustained interest and engagement. By prioritizing quality and innovation, Max continues to carve out a distinct niche in the streaming industry, further enhancing its appeal and expanding its reach.
Despite a decline in overall Q1 revenue, Warner Bros Discovery's streaming segment demonstrated remarkable resilience and growth potential. Adding over five million subscribers during the quarter, the company generated $339 million in Adjusted EBITDA from streaming alone, positioning itself firmly on track to achieve at least $1.3 billion in Streaming Adjusted EBITDA for the year. This financial strength supports WBD's ambitious goal of exceeding 150 million subscribers by the end of 2026, driven by continued expansion and strategic content investments.
Looking forward, Warner Bros Discovery anticipates maintaining its upward trajectory with upcoming releases and seasonal content updates. The second quarter already shows promise with the premiere of "The Last of Us" season two and "Hacks" season four. Additionally, eagerly awaited titles such as "The Gilded Age," "Peacemaker," and "And Just Like That" are set to enhance Max's offering. In the film sector, recent successes like "A Minecraft Movie" and "Sinners" underscore WBD's momentum in motion pictures, bolstering confidence in future blockbusters like "Superman." Furthermore, the company remains committed to optimizing its Global Linear Networks through cost discipline and strategic partnerships, ensuring sustained financial health and adaptability in an ever-evolving media environment.