In a thought-provoking and humorous exploration of language and identity, Rhiana Yazzie's new comedy "The Nut, the Hermit, the Crow and the Monk" presents an intriguing scenario. The play follows siblings Shadi and Broder as they find themselves temporarily transported to the spirit world during an intervention. Faced with the challenge of communicating in their ancestral Navajo language, the siblings discover that the afterlife is bilingual, thanks to the Formless Being who speaks both Diné bizaad and English.

A Family Drama with Humor and Symbolism

Set against the backdrop of a family intervention, this production delves into the lives of Shadi, Broder, and their cousin Prima as they confront Prima's father about his drinking problem. The story unfolds with elements of shadow puppetry and poetic symbolism, using creative methods such as a cardboard box to represent a car. Directed by Rhiana Yazzie and Amber Ball, the play features characters like a mother who escapes her troubles through YouTube cat videos and Aunty Ti, a renowned writer who unknowingly causes pain by exposing family secrets in her work.

The play runs as the concluding show of the 15th season of New Native Theatre, founded by playwright Yazzie. It incorporates references ranging from Pink Floyd to Amy Winehouse, blending inside jokes that resonate with diverse audiences.

In the golden autumn of theatrical innovation, this one-act drama combines wit and creativity to explore themes of cultural heritage and self-help.

From a journalist's perspective, this play offers a unique lens on the intersection of Native culture and global influences. By presenting humor alongside serious issues, it encourages reflection on how we preserve and share our cultural identities in an increasingly interconnected world. The blend of traditional and modern elements not only entertains but also challenges viewers to consider the complexities of cultural preservation and adaptation.